- First-class acoustic guitar made for the most discerning guitarists.
- Premium-quality tonewoods.
- Proprietary design features and production technologies, including unique soundboard voicing, revolutionary Furch CNR System® neck joint and resonance enhancing Full-Pore High-Gloss Finish.
- Luxury appearance featuring a host of appointments made from koa and redheart.
- Heavy-duty Hiscox hardshell case.
The Red Series is synonymous with the highest class of our solid wood guitars, which are truly uncompromising in terms of the materials and components. The Red Pure LR is made of Alpine spruce used on the soundboard and master-grade Indian rosewood on the back and sides. Both the top and the back plate undergo a special tuning process, which in conjunction with the material used gives the instrument a beautiful, versatile sound with clear and open tones. The beauty of the tonewood is underlined by a high-gloss finish and a number of decorative details, led by a redheart purfling and koa rosette, binding, tail decoration and position markers. The guitar comes enclosed in a highly durable Hiscox case.
Unique voicing process
The premium nature of the Red Pure LR is underscored by the fact that both the soundboard and the back plate are individually tuned using the voicing process, our proprietary technology that enhances the guitar’s tonal properties to the highest level. Thanks to that, the Red Pure LR has a crystalline clear, harmonically rich, balanced, and highly dynamic sound across the entire tonal spectrum.
Resonance enhancing finish
The instrument is protected by our proprietary Full-Pore High-Gloss Finish, which has been developed to enhance the guitar’s tonal qualities. The finish consists of an ultrathin layer of highly resistant lacquer that provides excellent surface protection and accentuates the structure of the wood at the same time.
Beauty of exotic wood
The extraordinary look of the Red Pure LR is further enhanced by a combination of fingerboard, bridge and headstock overlay made from figured ziricote. The body, headstock and fingerboard of the guitar are bound with koa with a white contrasting line, complemented by a redheart body purfling. In addition to binding, we also used koa for the ring rosette and tail decoration.
Furch CNR System® Neck Design
A high precision, dual-action truss rod maintains neck stability and allows for fine adjustment of the neck relief, bilaterally. The truss rod is housed in a highly rigid carbon casing which enables a very smooth and controlled neck relief, ensuring the best playability and enduring optimal setup.
Transparent protection
The soundboard of the Red Pure LR is protected by a transparent pickguard that allows the natural beauty of the wood to shine through. The pickguard is designed to have no effect on the tonal qualities of the soundboard.
Unconventional position markers
White pearl side position markers combined with unconventional rectangular fingerboard inlays made from koa improve fingerboard orientation and enhance the guitar’s exclusive appearance.
Excellent machine heads
The Red Pure LR has an excellent tuning stability courtesy of Gotoh 510 Silver Patina machine heads with polished ebony buttons and a highly precise 1:21 gear ratio.
High-rigidity Hiscox case
Maximum protection during transport is provided by a high-rigidity Hiscox case with polyurethane insulating foam that shields the instrument from changes in external climatic conditions.
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Body
| Available body shapes | D, Dc, G, Gc, OM, OMc |
| Neck-to-body joint | 14th fret |
| Solid top - grade | Alpine spruce |
| Solid back and sides - grade | Indian rosewood - master grade |
| Binding | Koa with white line |
| Purfling | Redheart with black and white line |
| Tail decoration | Koa wedge with contrasting line |
| Rosette | Koa ring with black and white line |
| Bridge | Figured ziricote |
| Bridge pins | Ebony with pearl eye |
| Saddle | TUSQ fully compensated |
| Bridge string spacing | 2 3/16 |
| Top finish | Full-Pore High-Gloss Finish |
| Back and sides finish | Full-Pore High-Gloss Finish |
| Pickguard | Anti-Scratch - transparent |
Neck
| Nut width | 1 3/4 |
| Available nut width | 1 11/16 and 1 7/8 |
| Neck reinforcement | CNR System with dual-action adjustment |
| Neck profile | Furch Soft V |
| Scale length | 25 9/16 |
| Fingerboard material | Figured ziricote |
| Fingerboard radius | 15 3/4 |
| Fingerboard front inlay | Koa rectangular inlays |
| Fingerboard side inlay | Pearl linear position markers |
| Fret finish | Polished |
| Headstock overlay | Figured ziricote |
| Fingerboard and headstock binding | Koa with white line |
| Neck material | African mahogany |
| Machine heads | Gotoh 510 Silver Patina - gear ratio 1:21 |
| Machine head buttons | Polished ebony |
| Zero fret | TUSQ |
| Nut string spacing (1 3/4) | 1 1/2 |
| Nut string spacing (1 11/16 mm) | 1 7/16 |
| Nut string spacing (1 7/8) | 1 9/16 |
| Strings | Elixir Ph-Br Nanoweb 12-53 |
| Neck finish | Full-Pore Smooth-Slide Satin Finish with antibacterial additive |
| Headstock finish | Full-Pore High-Gloss Finish |
| Size | 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38 |
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